Feeling that she couldn't laugh after that event, she began to explore themes of death and the drug trade as well as exploring some of Colombia's most tragic events. González intentionally chose this particular work by da Vinci because of its popularity in Colombian culture, this image was commonly placed above the main entrance door as a good-luck charm against thieves. âVertical Displacementâ was created in 2016 by Beatriz González in Pop Art style. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Medellín-Colombia (2015). After one of González's friends and mentors, Marta Traba pressed the Jury to reconsider their decision, the painting was not only accepted, but Gonzáles won a special prize for her work, that eventually helped launch her career. After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. When asked if she had at any point considered herself a pop artist she responded with, "I’ve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. Beatriz González Reveals the Politics and Painting of Colombia The artist's first United States retrospective arrives at the MFAH with a pop of color. Find more prominent pieces of figurative at Wikiart.org – best visual art database. She returned to Bucaramanga in 1958. Beatriz Gonzalez (Born 1936) Beatriz Gonzalez is active/lives in Columbia. [3] González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. The picture was sent to their families, and when the news broke it was widely reprinted in black and white in the local newspapers. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). Exh. [5] This work along with many of the others out of her furniture works had the intention of being a "representation of representations" not only through an effort to make universal art, but also to subvert the original function of the furniture itself. [6], In 1985 González's work took a dramatic stylistic shift from its vibrant colors and shapes, to more dark imagery. She studied fine arts at the Universidad de los Andes in Bogotá and print-making at the Rijksakademie van Beeldende Kunsten in Amsterdam. cat. Oct 27th, 2020. In this work, González placed her own painting of da Vinci's Mona Lisa where the mirror would be on a very large and elaborate antique coat rack. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. Tobias Ostrander and Mari Carmen Ramírez. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. For me the type of art that I was doing could only circulate internationally as a curiosity. [2], Beatriz González was born in Bucaramanga, Colombia in 1938. View Beatriz González’s artworks on artnet. Beatriz González is a Colombian painter, associated with the Pop Art movement. When her new exhibit, “Beatriz González: a Retrospective,” opens at the Peréz Art Museum Miami April 19, it will be the first large-scale U.S. retrospective of … Find more prominent pieces of figurative at Wikiart.org â best visual art database. Notably influenced by both the colorful character of pop art and the wide spectrum of Colombian local art, the painting and sculpture of Beatriz González explores political, social, and romantic subjects with equal insight. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. 1938, Bucaramanga, Colombia). González is often associated with the Pop Art movement. González claimed that she was attracted to this picture due to its "bad quality" or more so its plain quality, the simplification of the facial features that were almost deformed by the discrepancy. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. “The idea of taking images from everyday reality runs through my whole career,” says González. Auction Records. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. Artprice.com's price levels for this artist ⦠This work was one of González's first furniture pieces out of her series of furniture works. [3], González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. At 81, González is not only an internationally celebrated Colombian artist but also one of the few extant representatives of the so-called “radical women” generation from Latin America. In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. Overview . “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. «La política de Beatriz González». The Artsy Vanguard 2019: 50 Artists to Know Right Now. She grew up in Colombia in the 40s and 50s, during an era of … She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). This work â included in the Museo Reina Sofiaâs retrospective of Beatriz González curated by María Inés Rodríguez, on until September 22 nd â hangs as a backdrop to a collection that, at first glance, could be a furniture store. Artwork page for ‘The Last Table’, Beatriz González, 1970 González stood out from her contemporaries as one of the first artists in Colombia to draw inspiration from the mass media, creating dialogue between popular narratives and formal painting. Beatriz GONZALEZ (1938) (Colombia) is an artist born in 1938 The oldest auction result ever registered on the website for an artwork by this artist is a furniture sold in 1989, at Sotheby's, and the most recent auction result is a painting sold in 2020. The Artist. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. González is often associated with the Pop Art movement. She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). She used the location of the would be mirror to frame her work so when the viewers look at the work they see an image of beauty recreated in a cheap, reproduced style. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. Beatriz Gonzalez is known for painting. [3] In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". [2], After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. Beatriz González Museo de Arte Miguel Urrutia After earlier presentations at the Museum of Fine Arts, Houston, and the Pérez Art Museum Miami, this retrospective—the most comprehensive showing to date of the work of Beatriz González, one of the most influential living Colombian artists— finally arrived at the Museo de Arte Miguel Urrutia in Bogotá. Sep 16th, 2019. Buy / Sell. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. Museo de Arte Moderno. Retrospective 1965–2017, Beatriz González's exhibition at KW Institute for Contemporary Art in Berlin (13 October 2018–6 January 2019), presents a selection of 120 works that bear witness to Colombia's political and social upheavals of the last 50 years. Exhibition organized by Tobias Ostrander and Mari Carmen Ramírez. [10] In this case, she intentionally takes all of the shadows and duller colors that made this work more European, and animated it more in hopes of making it more uniquely Latin American. This was after the M-19 guerrilla attack on the Palace of Justice in an attempt to try to president, they left 94 dead. Beatriz González. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. After one of González's friends and mentors, Marta Traba pressed the Jury to reconsider their decision, the painting was not only accepted, but Gonzáles won a special prize for her work, that eventually helped launch her career. In the early 1970s she began to incorporate mass-produced items in her work. The theme of mother and child was one that commonly occurred in her artwork thus turning González herself into an image of maternity. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). [6], This work consisted of an image of a mother holding her child that was based on a picture that was widely printed and distributed by a printing company in Colombia. The full title of this work is Nací en Florencia y tenía 26 años cuando fue pintado mi retrato (esta frase pronunciada en una voz dulce y baja), translated to I was born in Florence and was 26 years old when my portrait was painted (this phrase pronounced in a low, sweet voice). When asked if she had at any point considered herself a pop artist she responded with, "Iâve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. Beatriz González: A Retrospective presents more than 130 works, culled from the artist’s career from the early 1960s to now. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Beatriz González is a Colombian painter, associated with the Pop Art movement. This painting was based on a photo that originally appeared in the press of a couple who commissioned a professional photographer to take their portrait before jumping off the dam of the Sisga on the outskirts of Bogotá. During this time she produced a series of ink drawings on the same theme, that were tabloid photos of crimes of passion and political murders as well as advertisements for everything from bodybuilding to headache cures.[9]. [1] González is often associated with the Pop Art movement. Available for sale from Nohra Haime Gallery, Beatriz González, Viva Mexico (1982), Metal, 12 2/5 in Van Beeldende Kunsten in Amsterdam mass-produced items in her artwork thus turning González herself an. 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